Theory into Practice. A Contemporary Artist Approaches a Repertoire from the XII Century

  • Carmen Elvira Brigard Universidad Javeriana
Publicado
2018-01-01

Resumen (es)

When I became a student of the M A in Ritual Chant and Song at the Irish World Academy of Music and Dance (2015-2016) I did not have any previous formal music education or any academic Gregorian chant background. Therefore, I offer here a description of the experience that reveals the moments when I started to embody and recognize through practice the basic modal elements of western chant. The paper begins with a literature review that informs the reader about Hildegard von Bingen’s life, her theology of music and her cycle of songs, Symphonia armonie celestium revelatorium. Then, I depict the auto ethnographic exploration of understanding theory through practice and, finally, I present my conclusions.

Palabras clave: "Auto ethnography, practice-based research, Hildegard Von Bingen, lchant (es)
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Brigard, C. E. (2018). Theory into Practice. A Contemporary Artist Approaches a Repertoire from the XII Century. (pensamiento), (palabra). Y Obra, (19). https://doi.org/10.17227/ppo.num19-7391